SELECT WRITING 🌿
The View from Pooh Corner
Profile on the painter Robert S. Neuman for DecorMaine, The Art Issue, No. 4, June 2022
Olivia Fredricks: Spring St.
Exhibition essay for Spring St., Maine College of Art & Design, June 2021 (RISO printed by Pilar Nadal of Pickwick Independent Press)
The Seduction of Marcie Bronstein’s Watercolors
Being Here: Marcie Jan Bronstein, Watercolor Paintings, for her exhibition Being Here at the Zillman Art Museum at the University of Maine, March 2020
Desire in Walking and Language
Critics Page, The Brooklyn Rail, March 2020
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The Affidamento of Bianca Beck and Sascha Braunig
The Chart, Vol. 5, No. 1, Winter 2019/2020
A conversation amongst two artist writers who witnessed the performance together
Written with Imani Roach for Liminalities: A Journal of Performance Studies, Volume 15, Issue 2, May/June 2019
Heavy Water: Erin Johnson at the Jepson Center, Savannah
BURNAWAY, March 2019![]()
A Conversation Between Jenna Crowder and Carly Glovinski
ed. Olivia Fountain, The Lantern, December 2018
Language at the Edges of Legality: Aliza Shvarts at Artspace New Haven
Temporary Art Review, June 2018![]()
The Poetics of Henri Paul Broyard's Interiors
The Rib, March 2018
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On Fernando A. Flores’s Valleyesque
Tupelo Quarterly, September 2022A Review of Maggie Nelson’s On Freedom: Four Songs of Care and Constraint
Tupelo Quarterly, September 2022On Hasanthika Sirisena’s Dark Tourist
Tupelo Quarterly, September 2022The View from Pooh Corner
Profile on the painter Robert S. Neuman for DecorMaine, The Art Issue, No. 4, June 2022Olivia Fredricks: Spring St.
Exhibition essay for Spring St., Maine College of Art & Design, June 2021 (RISO printed by Pilar Nadal of Pickwick Independent Press)Change With(out) a Revolution: Where Institutions Fail Us
Boston Art Review, Issue 06: Timestamp, Winter 2021The Seduction of Marcie Bronstein’s Watercolors
Being Here: Marcie Jan Bronstein, Watercolor Paintings, for her exhibition Being Here at the Zillman Art Museum at the University of Maine, March 2020Desire in Walking and Language
Critics Page, The Brooklyn Rail, March 2020 Essay for Megan Brady’s Paper Paintings
Publication Studio Hudson, 2020
The Affidamento of Bianca Beck and Sascha Braunig
The Chart, Vol. 5, No. 1, Winter 2019/2020A conversation amongst two artist writers who witnessed the performance together
Written with Imani Roach for Liminalities: A Journal of Performance Studies, Volume 15, Issue 2, May/June 2019Second Sight: The Paradox of Vision in Contemporary Art
Art Papers — 42.04, Winter 2018/2019Heavy Water: Erin Johnson at the Jepson Center, Savannah
BURNAWAY, March 2019
A Conversation Between Jenna Crowder and Carly Glovinski
ed. Olivia Fountain, The Lantern, December 2018Language at the Edges of Legality: Aliza Shvarts at Artspace New Haven
Temporary Art Review, June 2018
The Poetics of Henri Paul Broyard's Interiors
The Rib, March 2018
SELECT PROJECTS 🌔
online arts journal, annual print anthologies, & visiting critic programming
co-creating and editing a new archive of artists-in-residence at Indigo Arts Alliance in Portland, Maine
Persephone in the Late Anthropocene
2021
exhibition at University of New England Galleries (co-curator with Megan Grumbling)
The Chart: Critical Communion
2020
a series of texts commissioned in response to the twin pandemics of COVID-19 and police brutality experienced in Spring 2020
a summer-long series of residencies, lectures, and dinners with Dr. Jordan Amirkhani, Jacquelyn Gleisner, Andy Johnson, James McAnally, and Leah Triplett Harrington
This Desire
2018
exhibition at Able Baker Contemporary (curator)![]()
MTV Crits!
2016–17
participatory music video screenings + discussion
Persephone in the Late Anthropocene, an opera
2014–16
collaborative spoken opera
multi-site meta event (curator)![]()
The Chart
2015–2022online arts journal, annual print anthologies, & visiting critic programming
The Record: Indigo Arts Alliance Archive
2020–2022co-creating and editing a new archive of artists-in-residence at Indigo Arts Alliance in Portland, Maine
Persephone in the Late Anthropocene
2021exhibition at University of New England Galleries (co-curator with Megan Grumbling)
The Chart: Critical Communion
2020a series of texts commissioned in response to the twin pandemics of COVID-19 and police brutality experienced in Spring 2020
The Chart: Visiting Critic Lecture Series
2019a summer-long series of residencies, lectures, and dinners with Dr. Jordan Amirkhani, Jacquelyn Gleisner, Andy Johnson, James McAnally, and Leah Triplett Harrington
This Desire
2018exhibition at Able Baker Contemporary (curator)
MTV Crits!
2016–17participatory music video screenings + discussion
Persephone in the Late Anthropocene, an opera
2014–16collaborative spoken opera
citydrift/Portland
2014multi-site meta event (curator)
