RECENT & SELECT WRITING 🌿
Angels, Birth, Rainbows, Boats, and more: a glimpse into the mind of Dylan Hausthor
& Magazine, Maine College of Art & Design, Winter 24–25
Collaborative Magic: Makena Schwab on the Cooperative Power of Animation
& Magazine, Maine College of Art & Design, Winter 24–25
Izzy Van den Heuvel: Someplace I Might Call Home
Exhibition essay for Ghost Stories for the Faint of Heart, Zand Head Gallery at Maine College of Art & Design, Fall 2024. (RISO printed by Claire Christensen)
Week 47: Philip Glass: “Metamorphosis One”
Endless Playlist at Wendy’s Subway, March 2023
Olivia Fredricks: Spring St.
Exhibition essay for Spring St., Zand Head Gallery at Maine College of Art & Design, June 2021. (RISO printed by Pilar Nadal of Pickwick Independent Press)
Desire in Walking and Language
Critics Page, The Brooklyn Rail, March 2020
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The Affidamento of Bianca Beck and Sascha Braunig
The Chart, Vol. 5, No. 1, Winter 2019/2020
Heavy Water: Erin Johnson at the Jepson Center, Savannah
BURNAWAY, March 2019![]()
Language at the Edges of Legality: Aliza Shvarts at Artspace New Haven
Temporary Art Review, June 2018![]()
Art Institution as Collaborative, Living Laboratory: An Interview with Iris Williamson
& Magazine, Maine College of Art & Design, Winter 24–25
Angels, Birth, Rainbows, Boats, and more: a glimpse into the mind of Dylan Hausthor
& Magazine, Maine College of Art & Design, Winter 24–25
Collaborative Magic: Makena Schwab on the Cooperative Power of Animation
& Magazine, Maine College of Art & Design, Winter 24–25Izzy Van den Heuvel: Someplace I Might Call Home
Exhibition essay for Ghost Stories for the Faint of Heart, Zand Head Gallery at Maine College of Art & Design, Fall 2024. (RISO printed by Claire Christensen)The Intuitive Gesture: A Sit Down with Artist Katherine Bradford
DecorMaine, The Art Issue, June 2023Week 47: Philip Glass: “Metamorphosis One”
Endless Playlist at Wendy’s Subway, March 2023On Fernando A. Flores’s Valleyesque
Tupelo Quarterly, September 2022A Review of Maggie Nelson’s On Freedom: Four Songs of Care and Constraint
Tupelo Quarterly, September 2022On Hasanthika Sirisena’s Dark Tourist
Tupelo Quarterly, September 2022Olivia Fredricks: Spring St.
Exhibition essay for Spring St., Zand Head Gallery at Maine College of Art & Design, June 2021. (RISO printed by Pilar Nadal of Pickwick Independent Press)Change With(out) a Revolution: Where Institutions Fail Us
Boston Art Review, Issue 06: Timestamp, Winter 2021Desire in Walking and Language
Critics Page, The Brooklyn Rail, March 2020 Essay for Megan Brady’s Paper Paintings
Publication Studio Hudson, 2020
The Affidamento of Bianca Beck and Sascha Braunig
The Chart, Vol. 5, No. 1, Winter 2019/2020Second Sight: The Paradox of Vision in Contemporary Art
Art Papers — 42.04, Winter 2018/2019Heavy Water: Erin Johnson at the Jepson Center, Savannah
BURNAWAY, March 2019
Language at the Edges of Legality: Aliza Shvarts at Artspace New Haven
Temporary Art Review, June 2018
SELECT PROJECTS 🌔
managing editor for the archive of artists-in-residence at Indigo Arts Alliance in Portland, Maine
online arts journal, annual print anthologies, & visiting critic programming
Persephone in the Late Anthropocene
2021
exhibition at University of New England Galleries (co-curator with Megan Grumbling)
The Chart: Critical Communion
2020
a series of texts commissioned in response to the twin pandemics of COVID-19 and police brutality experienced in Spring 2020
a summer-long series of residencies, lectures, and dinners with Dr. Jordan Amirkhani, Jacquelyn Gleisner, Andy Johnson, James McAnally, and Leah Triplett Harrington
This Desire
2018
exhibition at Able Baker Contemporary (curator)![]()
MTV Crits!
2016–17
participatory music video screenings + discussion
Persephone in the Late Anthropocene, an opera
2014–16
collaborative spoken opera
multi-site meta event (curator)![]()
The Record: Indigo Arts Alliance Archive
2020–presentmanaging editor for the archive of artists-in-residence at Indigo Arts Alliance in Portland, Maine
The Chart
2015–2022online arts journal, annual print anthologies, & visiting critic programming
Persephone in the Late Anthropocene
2021exhibition at University of New England Galleries (co-curator with Megan Grumbling)
The Chart: Critical Communion
2020a series of texts commissioned in response to the twin pandemics of COVID-19 and police brutality experienced in Spring 2020
The Chart: Visiting Critic Lecture Series
2019a summer-long series of residencies, lectures, and dinners with Dr. Jordan Amirkhani, Jacquelyn Gleisner, Andy Johnson, James McAnally, and Leah Triplett Harrington
This Desire
2018exhibition at Able Baker Contemporary (curator)
MTV Crits!
2016–17participatory music video screenings + discussion
Persephone in the Late Anthropocene, an opera
2014–16collaborative spoken opera
citydrift/Portland
2014multi-site meta event (curator)
